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Ole Kaelo and his family relocate from Nakuru to Nasila after his retrenchment from Agribix limited. His two daughters, Taiyo and Resian were born and raised up in Nakuru. The idea of leaving Nakuru for a village town, Nasila, is coldly embraced by Taiyo and Resian.
There is change of Nasilian cultural practices. In the past, culture did not allow an elderly man to marry a girl young enough to be his daughter. It was considered an abomination, and the perpetrators risked being fined heavily besides facing a public rebuke and cleansing ceremony. Ole Kaelo is collaborating with Oloisudori, his age mate, to ensure that he marries his daughter, ResianKaelo.
There is environmental change. Mama Milanoi recounts how Nasila Rivers had changed. Nasila water was no longer the same clean water that she and her friends drew when they were girls. The water had been polluted. People were emptying sacks of agricultural chemicals and poisonous pollutants into Nasila River.
There is an emergence of new generational vocal female activists who openly oppose FGM. Minik, a manager of a big sheep ranch and veterinary medicine graduate fights against female circumcision, a practice that is deeply embedded in Nasilian culture. She faces sharp resistance from conservative Nasilans and is christened Emakererei, the wasp.
marto answered the question on August 27, 2019 at 06:07
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- Read the passage below and then answer the questions that follow.(Solved)
Read the passage below and then answer the questions that follow.
A long, long time ago, there was a man and his wife. They had built their hut in the middle of the forest but they had fenced round the homestead to keep wild animals from entering the compound. Now this man used to go to the smithy to join the other smiths in ironwork. This time, when he went, he left his wife heavy with child.
In this forest, there was a big ogre. As soon as the man went away the ogre came into the compound with a heavy load of firewood. When he brought the load to the compound, he dropped it outside with a big thud of this firewood.
He went inside the hut where he made some porridge. He drank it. To the expectant woman he said, “Woman with child, take this. You don’t want, I shall eat it for you.” And he ate all the porridge. Now this happened everyday for many days and the expectant mother grew as weak as the reeds by the riverside. When the time came for her delivery, the ogre crudely assisted her but he did not give her food.
Now the woman continued to be starved and grew weaker and weaker. She became very worried yet she did not lose heart. Every day she used to spread her castor oil seeds in the sun for she hoped to make oil for the child’s skin.
One day when she had spread her castor oil seeds in the sun, a dove came and helped herself to some seeds. The woman said to her, “You always come here to eat my seeds. Will you go if I send you?”
Said the dove, “let me eat my fill and then you can send me wherever you want. The dove ate until she had had enough.
“Where do you want to send me?”
“Go to the smithy and when you see the smiths ,sing these words:
Mutuiuukutuaisaangalalai x2
Mukauniwasyaiyeisaangalalai
Avyuviiawaniyiimu iii saangalalai
Yisikuyanakwivua iii
Saangalalaisa.
(Blacksmith smithing on your iron x 2
Your wife has given birth
Assisted by an ogre
Which eats all it has prepared)
And the dove went to the smiths and sang the song:
Blacksmith smithing on your iron x 2
Your wife has given birth
Assisted by an ogre
Which eats all it has prepared.
What is this thing – of a – bird saying, disturbing our work?” said one man throwing a stone at the dove. But the dove perched herself on another tree and sang again.
Blacksmith smithing on your iron x 2
Your wife has given birth
Assisted by an ogre
Which eats all it has prepared.
This time the men said;
“Haiya, perhaps this bird has a message for us. Who of us left his wife heavy with a child?”
Said one man, “I left my wife heavy.”
“Eei, take your things. Go home. This message might be yours. Your wife might have given birth and she is in danger.”
At home, the ogre was still tormenting the woman. He used to go to the shamba, dig out the sweet potatoes, prepare them and offer them to her when they were already in his mouth, “Woman with child take this. You don’t want it, I’ll eat it for you.”
One day when the sun stood in the middle of the compound, her husband arrived from the smithy. He hid himself in the darkest corner of the hut and awaited the ogre. When the ogre arrived he cooked, ate all the food and slept on the naked floor. From his mouth came green, yellow and red foam that was a sign that he was fast asleep.
It was then that the blacksmith came down and speared him through and through until he was dead. Then the man and his wife moved and built a new home in another place.
a) Classify the above narrative and give a reason for your classification.
b) In the story, what shows that the ogre never intended to share the food with the woman?
c) Discuss any two features in the story that qualify it as a traditional oral narrative.
d) With an illustration for each, describe two character traits of the ogre
e) Of what use is the song in the story?
f) What is the livelihood of the people from which this story is derived?
g) What moral lesson do you learn from this story?
Date posted: August 19, 2019. Answers (1)
- Read the oral narrative below and answer the questions that follow.(Solved)
Read the oral narrative below and answer the questions that follow.
There was once only one wise being in all the world, and that was Kwaku Ananse, the spider .But Kwaku Ananse wished to keep all this wisdom to himself.
One day, bored with having to stay and guard his wisdom all day, Kwaku Ananse decided to store it away and hide it in a safe place. So he called his wife, Aso, and asked her to make him a big pot into which he could put all his wisdom.
Aso went down to the riverbank and collected clay .She carefully made a big pot - a great pot with a narrow opening at the top so it could be easily sealed. Then she put the pot out in the sun to bake, and with the remainder of the clay, fashioned a stopper.
When the pot was finished, Aso took it to her husband, who, after making sure that there were no cracks in it, gathered together all his wisdom and pushed it well down into the pot .He covered it with some cocoa-yam leaves, then put in the stopper and tied it on with some strong twine
Now Kwaku Ananse had decided to hide the pot way up in the branches of a huge, silk-cotton tree that grew some distance away in the forest .It was over three metres wide, and the spikes on its trunk would stop all but the most intrepid spiders from climbing it.
Carrying the pot in front of him, he made his way through the forest, followed – unbeknown - by his small son, Ntikuma. At last he reached the great tree and started to attempt to climb it. He hung the pot by a rope around his neck, with the stopper just below his nose so he could make quite sure it did not tip over.
Alas, try as he would ,KwakuAnanse could not climb the tree ,for the pot kept getting in the way of his arms and he found he was unable to grip the trunk .He tried ,and tried, and tried, but with no success.
He grew hot and sticky and started to swear angrily.
Now, Ntikuma was watching his father from behind a tree, puzzled by his curious antics. At last, when Kwaku Ananse’s swearing grew really bad, he could stand it no longer and came up to his father timidly.
“Surely my father”, he said, “If you wish to take that pot up the tree you should tie it to your back, not your front. Then your hands would be free.”
Ananse was furious. Here was his small son teaching him a lesson – a lesson which he realized was only too true. Shaking with anger and exhaustion, he lifted the pot intending to take it off and chastise his son .His hands were slippery with sweat and the great pot was heavy. It slipped through his fingers and crashed to the ground. The pot burst open and the contents were scattered far and wide .There was a storm coming, and the wind swept through the forest, lifting the wisdom and carrying it on its way. The rain poured down and swept the wisdom into the steams, which carried it into the sea .Thus wisdom spread throughout the world.
(a) Giving a reason, identify the sub-genre of the above narrative.
b)Why did Kwaku Ananse decide to hide his wisdom?
c)How did Ananse make sure that his wisdom was safe in the pot ?
d)Why was it difficult for Ananse to climb the tree with the pot?
e)Identify and illustrate one character trait of each of the following as brought out in the above narrative:
(i)Kwaku Ananse -
ii)Aso -
(f) What two aspects of this narrative qualify it as oral?
(g) Identify and illustrate one economic activity of the community from which this narrative was taken
h)Which is the suitable audience for this story and why?
Date posted: August 19, 2019. Answers (1)
- Read the excerpt below and answer the questions that follow.(Solved)
Read the excerpt below and answer the questions that follow.
Rank: Is there anything wrong?
Nora: No, no, not in the least. It is only something it is my new dress —
Rank: What? Your new dress is lying there.
Nora: Oh, yes, that one; butthis is another. I ordered it. Torvald mustn't know about it —
Rank: Oho! Then that was the great secret.
Nora: Of course. Just go in to him; he is sitting in the inner room, Keep him as long as—
Rank: Make your kind easy; I won't let him escape. (Goes into HELMER'S room)
Nora: (to the MAID) And he is standing waiting in the kitchen?
Maid: Yes, he came up the back stairs.
Nora: But didn't you tell him no one was in?
Maid: Yes, but it was no good.
Nora: He won't go away?
Maid: No; he says he won't until he has seen you, ma'am.
Nora: Well, let him come in —but quietly. Hellen, you mustn't say anything about it to anyone. It is a surprise for my husband.
Maid: Yes, ma'am, i quite understand. (Exit)
Nora: This dreadful thing is going to happen! It will happen in spite of me! No, no, no, it can't happen — it shan't happen! (She bolts the door of HELMER'S room. The MAID opens the hall door for KROGSTAD and shuts it after him. He is wearing a fur coat, high boots and a furcap.)
Nora: (advancing towards him) Speak low — my husband is at home.
Krogstad: No matter about that.
Nora: What do you want of me?
Krogstad: An explanation of something
Nora: Make haste then. What is it?
Krogstad: You know, I suppose, that I have got my dismissal.
Nora: I couldn't prevent it, Mr. Krogstade I fought as hard as a I could on your side, but it was no good.
Krogstad: Does your husband love you so little, then? He knows what I can expose you to, and yet he ventures —
Nora: How can you suppose that he has any knowledge of the sort?
Questions:
a) Place the excerpt in its immediate context.
b) What is it that Nora claims to be another that she ordered? What does it reveal about her character trait?
c) This dreadful thing is going to happen! What is it that Nora fears will happen?
d) What character trait of Nora is brought outin the excerpt?
e) What is the presentation of Rank in the excerpt?
f) What major theme comes out in the excerpt?
g) What is the meaning of the following words as used in the excerpt?
Date posted: August 19, 2019. Answers (1)
- Read the excerpt below and answer the questions that follow.(Solved)
Read the excerpt below and answer the questions that follow.
Rank: Is there anything wrong?
Nora: No, no, not in the least. It is only something it is my new dress —
Rank: What? Your new dress is lying there.
Nora: Oh, yes, that one; butthis is another. I ordered it. Torvald mustn't know about it —
Rank: Oho! Then that was the great secret.
Nora: Of course. Just go in to him; he is sitting in the inner room, Keep him as long as—
Rank: Make your kind easy; I won't let him escape. (Goes into HELMER'S room)
Nora: (to the MAID) And he is standing waiting in the kitchen?
Maid: Yes, he came up the back stairs.
Nora: But didn't you tell him no one was in?
Maid: Yes, but it was no good.
Nora: He won't go away?
Maid: No; he says he won't until he has seen you, ma'am.
Nora: Well, let him come in —but quietly. Hellen, you mustn't say anything about it to anyone. It is a surprise for my husband.
Maid: Yes, ma'am, i quite understand. (Exit)
Nora: This dreadful thing is going to happen! It will happen in spite of me! No, no, no, it can't happen — it shan't happen! (She bolts the door of HELMER'S room. The MAID opens the hall door for KROGSTAD and shuts it after him. He is wearing a fur coat, high boots and a furcap.)
Nora: (advancing towards him) Speak low — my husband is at home.
Krogstad: No matter about that.
Nora: What do you want of me?
Krogstad: An explanation of something.
Nora: Make haste then. What is it?
Krogstad: You know, I suppose, that I have got my dismissal.
Nora: I couldn't prevent it, Mr. Krogstade I fought as hard as a I could on your side, but it was no good.
Krogstad: Does your husband love you so little, then? He knows what I can expose you to, and yet he ventures —
Nora: How can you suppose that he has any knowledge of the sort?
Questions:
a) Place the excerpt in its immediate context.
b) What is it that Nora claims to be another that she ordered? What does it reveal about her character trait?
c) This dreadful thing is going to happen! What is it that Nora fears will happen?
d) What character trait of Nora is brought out in the excerpt?
e) What is the presentation of Rank in the excerpt? .
f) What major theme comes out in the excerpt?
g) What is the meaning of the following words as used in the excerpt?
Date posted: August 16, 2019. Answers (1)
- Read the extract below and then answer the questions that follow: Nora: (drops her cloak) Someone is coming now! ........(Solved)
Read the extract below and then answer the questions that follow:
Nora: (drops her cloak) Someone is coming now! (Goes to the door and listens.) No — it is no one. Of course, no one
Christmas Day — nor tomorrow either. But perhaps— (opens the door and looks out.) No, nothing in the letterbox; it is quite empty. (comes forward) What rubbish! Of course, he can't be in earnest about it. Such a thing couldn't happen: it is impossible — I have three little children. (enter the NURSE from the room on the left, carrying a big cardboard box)
Nurse: At last I have found the box with the fancy dress.
Nora: Thanks; put it on the table.
Nurse: (doing so) But it is very much in want of mending.
Nora: I should like to tear it into a hundred thousand pieces.
Nurse: What an idea! It can easily be put in order—just a little patience.
Nora: Yes, I will go and get Mrs. Linde to come and help me with it.
Nurse: What, out again? In this horrible weather? You will catch cold, ma'am, and make yourself ill.
Nora: Well, worse than that might happen. How are the children?
Nurse: The poor little souls are playing with their Christmas presents, but —
Nora: Do they ask much for me?
Nurse: You see, they are so accustomed to having their mamma with them.
Nora: Yes, but, nurse, I shall not be able to be so much with them now as I was before.
Nurse: Oh well, young children easily get accustomed to anything.
Nora: Do you think so? Do you think they would forget their mother if she went away altogether?
Nurse: Good heavens! - Went away altogether?
Nora: Nurse, I want you to tell me something I have often wondered about how could you have the heart to put your own child out among strangers?
Nurse: I was obliged to, if I wanted to be little Nora's nurse.
Nora: Yes, but how could you be willing to do it?
Nurse: What, when I was going to get such a good place by it? A poor girl who has got into trouble should be glad to. Besides, that wicked man didn't do a single thing for me.
Nora: But I suppose your daughter has quite forgotten you.
Nurse: No, indeed she hasn't. She wrote to me when she was confirmed, and when she was married.
Nora: (putting her arms round her neck) Dear old Anne, you were a good mother to me when I was little.
Nurse: Little Nora, poor dear, had no other mother but me.
Nora: And if my little ones had no other mother, I am sure you would — What nonsense I am talking! (opens the box) Go in to them. Now I must You will see tomorrow how charming I shall look.
Nurse: lam sure there will be no one at the ball so charming as you, ma'am. (goes into the room on the left)
Questions
a) Why is Nora looking worried that someone might be at the door?
b) The nurse reveals that she had to leave her daughter behind in order to serve as Nora's nurse. Explain the theme brought out from this revelation.
c) What does this conversation between Nora and the Nurse foreshadow?
d) Other than foreshadow, give another styles that is brought out in the excerpt
e) Someone is coming now! (Change into a negative sentence).
Date posted: August 16, 2019. Answers (1)