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Read the excerpt below and then answer the questions that follow.

Read the excerpt below and then answer the questions that follow.

Nora. What right have you to question me, Mr.Krogstad?–You, one of my husband’s subordinates! But since you ask, you shall know. Yes, Mrs. Linde is to have an appointment. And it was I who pleaded her cause, Mr. Krogstad, let me tell you that.
Krogstad. I was right in what I thought, then.
Nora (walking up and down the stage). Sometimes one has a tiny little bit of influence, I should hope. Because one is a woman, it does not necessarily follow that–. When anyone is in a subordinate position, Mr. Krogstad, they should really be careful to avoid offending anyone who–who–
Krogstad. Who has influence?
Nora. Exactly.
Krogstad (changing his tone). Mrs. Helmer, you will be so good as to use your influence on my behalf.
Nora. What? What do you mean?
Krogstad. You will be so kind as to see that I am allowed to keep my subordinate position in the Bank.
Nora. What do you mean by that? Who proposes to take your post away from you?
Krogstad. Oh, there is no necessity to keep up the pretence of ignorance. I can quite understand that your friend is not very anxious to expose herself to the chance of rubbing shoulders with me; and I quite understand, too, whom I have to thank for being turned off.
Nora. But I assure you–
Krogstad. Very likely; but, to come to the point, the time has come when I should advise you to use your influence to prevent that.
Nora. But, Mr. Krogstad, I have no influence.
Krogstad. Haven’t you? I thought you said yourself just now–
Nora. Naturally I did not mean you to put that construction on it. I! What should make you think I have any influence of that kind with my husband?
Krogstad. Oh, I have known your husband from our student days. I don’t suppose he is any more unassailable than other husbands.
Nora. If you speak slightingly of my husband, I shall turn you out of the house.
Krogstad. You are bold, Mrs. Helmer.
Nora. I am not afraid of you any longer. As soon as the New Year comes, I shall in a very short time be free of the whole thing.
Krogstad (controlling himself ). Listen to me, Mrs.Helmer. If necessary, I am prepared to fight for my small post in the Bank as if I were fighting for my life.
Nora. So it seems.
Krogstad. It is not only for the sake of the money; indeed, that weighs least with me in the matter. There is another reason–well, I may as well tell you. My position is this. I daresay you know, like everybody else, that once, many years ago, I was guilty of an indiscretion.
Nora. I think I have heard something of the kind.
Krogstad. The matter never came into court; but every way seemed to be closed to me after that. So I took to the business that you know of. I had to do something; and, honestly, I don’t think I’ve been one of the worst. But now I must cut myself free from all that. My sons are growing up; for their sake I must try and win back as much respect as I can in the town. This post in the Bank was like the first step up for me–and now your husband is going to kick me downstairs again into the mud.
Nora. But you must believe me, Mr. Krogstad; it is not in my power to help you at all.
Krogstad. Then it is because you haven’t the will; but I have means to compel you.

(a) Krogstad asks four questions just before this excerpt. Which are they?

(b) For what reasons has Krogstad visited Nora? Refer to what happens in the excerpt and in the rest of the play.

(c) 'I was right in what I thought, then.' What do you think Krogstad thought?

(d) Describe two character traits of Nora as brought out in the excerpt.

(e) Rewrite the sentences according to the instructions given after each without changing their meanings.


i. If you speak slightingly of my husband, I shall turn you out of the house.
Use: Unless…

ii. So it seems.
supply a question tag

(f) Highlight two themes evident in this excerpt.

(g) Then it is because you haven’t the will; but I have means to compel you.” How does Krogstad plan to force Nora to talk to her husband?

(h) Write a word with the same meaning as each of the following words as used in the excerpt.

i. Necessity
ii. Pleaded
iii. Influence

Answers


Martin
a)
-If it is Mrs. Linde he has seen with Helmer.
-If Mrs. Linde has just arrived in town.
-That Mrs. Linde and Nora have been friends.
-If Mrs. Linde is to have an appointment in the bank.

b)
-To plead with Nora to influence her husband to help him keep his job.
-To remind Nora of their froud.
-To blackmail Nora.

c)That Nora pleaded with Helmer to fire Krogstad and replace him with Mrs. Linde

d)
-Protective. She can’t afford to haveKrogstad speak ill of her husband.
-Bold. She tells Krogstad that she is no longer afraid of him.
-Optimistic.She hopes to be free from the whole thing(debt)

e)
i)I shall keep/entertain you in my house unless you speak slightingly of my husband.

ii)So it seems, doesn’t it?

f)
- Role of women. Krogstad believes Nora can influence her husband to help him keep his job.
- Boldness. Nora is bold enough to caution Krogstad against speaking ill of her husband, the repeat of which she would send him out of her house

g)Telling her about the nature of the money she borrowed him. He reminds Nora of the details of their business. He tells Nora that when he goes down, Nora too will lose her position.

h)
i. Necessity Need
ii. pleaded begged
iii. Influence power
marto answered the question on October 8, 2019 at 07:00

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    Fiction is distinguished from the works it imitates such as historical accounts, reports,biographies,
    autobiographies , letters, personal memoirs and meditations. While fiction often resembles these
    forms, it has a separate identity because it originates not in historical facts but in the imaginative and creative of powers the author. Writers of fiction may include historically accurate details, but their primary goal is to tell a story and say something significant about life.

    The essence of fiction, as opposed to drama, is narration, the recounting or telling of a sequence of
    events or actions. The earliest works of fiction relied almost exclusively on narration , with speeches
    or dialogue being reported rather or quoted directly. Much recent fiction includes extended passages of dialogue, thereby becoming more dramatic even though narration is still the primary mode.

    Fiction is rooted in ancient legends and myths. Local priests narrated stories about their gods and
    heroes, as shown in some of the narratives of ancient Egypt. In the course of history, travelling story
    tellers would appear in a court or village to entertain listeners with tales of adventure in faraway
    countries.Although many of these were fictionalized accounts of events and people who may not
    even have existed, they were largely accepted as fact or history. An especially long tale, an epic, was
    recited over a period of days. To aid their memories and to impress and entertain their listeners, the
    storytellers chanted their tales in poetry often accompanying themselves on a stringled instrument.
    Indeed, fiction is strong because it is so real and personal. Most characters have both first and last
    names; the countries and cities in which they live are modeled on real places; and their actions and
    interactions are like those which readers themselves have experienced, could experience, or could
    easily imagine themselves experiencing.

    Along with attention to character, fiction is concerned with the place of individuals in their
    environments. In the simplest sense, environment is a backdrop or setting within which characters
    speak, move and act. But more broadly, environment comprises the social, economic, and political
    conditions that affect the outcomes of people’s lives. Fiction is usually about the interaction among
    people. Indeed, in typical work of fiction there are always many forces, both small and large , that
    influence the ways in which characters meet and deal with their problems.
    The first true works of fiction in Europe, however were less concerned with society or politics than
    adventure. These were the lengthy Spanish and French romances of the sixteenth and seventeenth centuries . In English the word novel was borrowed from French and Italian to describe these works and to distinguish them from medieval and classical romances as something that was new. Once great numbers of people could read for themselves, the paying audience for literature expanded. A writer could write a novel and receive money for it from a publisher, who could then profit from a wide sale.

    Reading a novel could even be a social event , for people would reach to each other as a means of
    sharing the experience. With this wider audience , authors could make a career out of writing. Fiction
    had arrived as a major genre of literature.
    (Adapted from Literature. An introduction of reading and writing .By Edger V Roberts and Henry
    E Jacobs.Preictice Hall, Inc.)


    (a) What is fiction as hinted out in the first paragraph?
    (b) Why is fiction distinct from other forms of writings?
    (c) Using information from the passage , what is the significance of environment to writing of fiction?
    (d) In what ways had fiction writing become an economic activity?
    (e) The first true works of fiction in Europe, however were less concerned with society or politics than adventure. (Rewrite adding a question tag)
    (f) What is the writer’s attitude towards fiction? Give reasons from the passage to support your answer.
    (g) Identify the methods the storyteller has used to make the story interesting and explain their effects.
    (h) Fiction had arrived as a major genre of literature. What is the meaning of this statement?
    (i) Explain the meaning of the following words as used in the passage.
    (a) Narration
    (b) Backdrop

    Date posted: October 2, 2019 .    Answers (1)